THE291よりフレームのご紹介2

 

こんばんは、駅前店よりsaitoです。

今日はTHE291フレームのご紹介、第二弾です〜。



CRETE5


CRETE  (クレット)


いろんな所に遊びゴコロがあって楽しいフレームですっ。




ココとか、

CRETE4




ココ〜。


CRETE2






ココにも!!

CRETE3



フロントのカラーも使いやすいお色が揃ってますので、

店頭にてぜひぜひお試しくださいませ。






― ・ ― ・ ― ・ ― ・ ― ・ ― ・ ― ・ ― ・ ― ・ ― ・ ― 

ニホンメガネ 

本店                           
〒277-0021                     
千葉県柏市中央町5-19
TEL/FAX 04-7166-5474
OPEN 10:00 / CLOSE 19:30


駅前店
〒277-0005
千葉県柏市柏1-1-11 ファミリかしわ1F
TEL/FAX
04-7163-7039
OPEN 10:30 / CLOSE
20:00

email 
n.megane5@diary.ocn.ne.jp

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スポンサーサイト

  • 2019.10.14 Monday
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  • 18:12
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  • by スポンサードリンク

コメント
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I’ve done this before too. In my first novel. And then I moved that to Chapter Three because I realized that what changed for the character and led to “the thing that happens in the night” is what I needed to open with. I expect that part of the reason that we are drawn to this trope is that we want to get to know the character while we are writing, and so we discover them and the story as the day unfolds. It can work, provided you have, like Suzanne Collins, something truly momentous that happens later that day and the character is anticipating it when she wakes up. Or whatever twist you can come up with that’s unique. But remember that Hunger Games took a while to catch on, and a lot of the reviews still comment on the first fifty pages being slow. Would the book have been any better if it had started closer to the Reaping but she had a day or two to react and say good-bye to her family and Gale before she had to get on the train? I honestly don’t know. What do you think?
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